The Partial

Ok. Now that you've created for yourself a nice complete database of agents/ agencies to query, created an awesome query letter, and sent out a few queries, you're probably what comes next.

Like you, I was also wondering what type of feedback I should be hoping for after sending out queries. Should I log on to my email every five minutes or cling to my phone as though it were my lifeline? Where and how would these agencies contact me after reading my query letter?

The answer to these questions is pretty simple.If you've done your job right an agent's first response to your query letter will be a request for sample chapters. This type of request is called "a partial" and, although it is good news, don't get overly excited. A request for a partial manuscript, which can come via phone or email, is not an offer of representation.

Should you get a request for sample chapters, you need to make sure you have the accurate amount, properly formatted. Most likely, the agent will request the first three chapters or the first fifty pages. If the request is for a specific number of pages, it is perfectly fine to go over a FEW pages in order to make the partial end at the end of a chapter. Most agents would rather you go over a few pages than leave them hanging with an incomplete chapter.

Your manuscript's font should be Times New Roman, size 12, and page numbers should be located in the upper right corner with your last name and manuscript title in the upper left.

You should also include a title page with your name, address, phone number, and email address in the upper lef-hand corner. Centered, about one third of the way down the page you should include the title of your manuscript in all caps and two spaces below that, include "BY" in all caps and YOUR NAME in all caps two spaces below that. Check out the sample to the left if you have any questions.

Now that your partial is formatted, go ahead and send it off. This can be either via email or snail mail, but either way, you need to include a cover letter that tells the agent that you have enclosed a requested partial manuscript. Include REQUESTED MATERIALS in the subject or write it on the envelope.

Now just sit back and wait it out! Good Luck!

Other People's Rejection Letters

Cover via AmazonI read Bill Shapiro's "Other People's Love Letters" last year and really enjoyed it, so I was excited to find out that a new edition, "Other People's Rejection Letters" was recently released.

The website also has an interesting feature: a Reject-O-Matic.

http://www.randomhouse.com/crown/features/other-peoples-rejection-letters/

Have fun rejecting....everyone and everything!

Also, make sure you check out this link:

http://www.guidetoliteraryagents.com/blog/10+Hidden+Gifts+Of+Rejection+Letters.aspx

Rejection Letters

Image via WikipediaAccording to wikipedia, there are exactly four types of rejection letters: literary, job, college, and romantic. Under the banner of literary rejection, there are four versions that are as follows:

1. The Non-Existant Rejection--this rejection offers no proof of life, but it's still very real. Haven't heard from an agency 10 years after sending them your query? Yep, you've got a case of the "Non-Existant Rejection."

2. The Personalized Rejection--while this rejection has a bit of flair; they might have called out some of the best parts of your submission, encouraged you to keep trying, or suggested helpful alterations, it is still rejection none-the-less. It might sting a little, but at least you've got those little comments to ease the burn.

3. The Mass Printed Letter--this rejection will have zero reference to you or your particular submission other than the fact that it's just not right for the agency or publisher. Instead of your name, words like "writer" will be thrown around willy nilly.

4. The Standard Form Letter--now this little gem I have personal experience with. Yesterday I received my first rejection letter, and while I was expecting it, I can't say that I was pleased. This letter is clearly used on a daily basis by the agency, but they did have the decency to cut and paste my name into the salutation.

Now here's the evidence of my indoctrination into the world of the struggling author. I've provided it for you all to see in the hopes that it will prepare you as well as encourage you, because although I have been rejected...sigh, I haven't given up hope. Hey, at least it isn't a "Romantic" rejection letter...I hear those are brutal :)

All right, here she is, the first rejection for The Other Side of the Glass. It's short, sweet, to the point, and currently resides on my fridge:

Dear Jacey,


Thank you so much for writing to me about your project. I read and


consider each query carefully and while yours is not exactly what I am


looking for, I would certainly encourage you to keep trying.

Literary Agency Red Flags

Image via Wikipedia So you've been working diligently to compile a database of agencies and agents you wish to query but you are still a little unsure about the reputability of one or more of them, what do you do? Well, after you've done a quick google search and nothing has come up, but you're still feeling unsure you should go to this website: http://pred-ed.com/ Preditors & Editors provides a comprehensive list of several agencies as well as a ranking of the agency based on its reputation and recent activities.

Entries on P&E are pretty simple to understand. Here, a sample entry that looks like the one below and tells you that Nelson Literary Agency is recommended by the site and the $ indicates that they have verified sales to legitimate royalty-paying publishers on record.

Nelson Literary Agency: $ Recommended. A literary agency located in Denver, CO.

An agency with a poor reputation will show up on Preditors & Editors like this:

AEG (American Enterprise Group) Publishing Group: Strongly not recommended. A consortium of literary agencies and one or more vanity publishers. Their name is also somewhat redundant (and that's for a publishing business?).

1/29/09: AEG Publishing Group seems to have a credibility gap showing. Recent information reveals that the interview they've been claiming was by Deliriousgirl was actually written by them and not her according to her response on this page at AbsoluteWrite.

As you can see, a quick glance at P&E will help you learn a lot about an organization and whether or not you should query them. If you are unsure about any aspect of an agency, I suggest you use this website as a tool to gauge their reputation. You should also know that no reputable agency will pressure you to sign a contract before you are ready, and none will ask for payment upfront.

Take a Break!

Image via WikipediaTaking a break from putting together your agency contact list? Good! Take a minute every now and then to breath, read a book, write, or just have fun!

Here's a  website you can go to to kill time while doing one of my favorite things, MadLibs!

http://www.madglibs.com/

Here's one I made today :)

Dear School Nurse:


Silicone Clayton will not be attending school today. He/she has come down with a case of measles and has horrible doors and a red fever. We have made an appointment with the swollen Dr. supercilious, who studied for many years in home and has thirty degrees in pediatrics. He will send you all the information you need. Thank you!

Sincerely

Mrs. round.

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Contacting Those Agencies

Image by hownowdesign via FlickrNow that you have, no doubt, put together an amazing query letter, it's important to take the next step. That query letter isn't going to do its job sitting on your desk. In order to find an agent or agency to represent you and your book, you have to start off by doing a little research.

I started by searching the internet for literary agency databases, and after going to the homepages of each agency that represented my genre, I soon discovered their submission guidelines pages. Nearly every agency I have queried has had a different list of requirements, so it's important to review their guidelines before querying.

Here are some databases I've found to be helpful:

http://www.agentquery.com/writer_hq.aspx

http://www.querytracker.net/

http://www.agentresearch.com/dreckoning.html

http://www.ebookcrossroads.com/agents.html

Now this process is a bit lengthy, and if you are planning to query several agencies at once, which is perfectly acceptable, I suggest that you keep a spreadsheet that contains a list of each agency queried, their contact information, website address, a link to their submissions guidelines page, as well as a column for the date on which you sent your query. This will come in handy as it can be anywhere from five days to six months before you hear back from various agencies.

One caution I must add when querying agencies involves dedicated research. You must acquaint yourself with the agencies before submitting your query! No reputable agency will charge a reading fee and this is just one red flag to look out for. Familiarize yourself with other books they represent, and don't be afraid to do a quick google search to make sure they are legitimate.

Good luck putting together those contact spreadsheets, and remember that all of this hard work is worth it! With every query submitted, you are one step closer to accomplishing your goal and seeing your first novel published.

Sample Query Letters

Here are a few links to effective query letters if you prefer to have concrete examples. Enjoy!

http://www.underdown.org/mf-sample-query-letters.htm

http://pubrants.blogspot.com/2007/10/blog-pitch-workshop-part-ii.html

http://blog.nathanbransford.com/2009/07/anatomy-of-good-query-letter-iii.html

http://www.jamesrussellpublishing.biz/queryletterbk.html

http://www.sfwa.org/2005/01/the-complete-nobodys-guide-to-query-letters/

http://www.johnsonliterary.com/blog/2010/2/9/anatomy-of-a-query-letter.html?utm_source=twitterfeed&utm_medium=twitter

Conquering the Query Letter Beast

So, I introduced the concept of the Query Letter in my last post, and since then I have been attempting to research and create my own. Let me tell you though, writing this one-page letter was harder than writing the entire book.

The purpose of the Query Letter is to persuade an agent that taking you (and your book) on as a client is a FANTASTIC decision, and I'm not sure why, but this just seemed to put a lot of pressure on what amounted to four 4-5 sentence paragraphs. So, was it intimidating? Absolutely. Is it impossible? Absolutely NOT.

Everything seemed to come together after I told myself I could do it. A few positive affirmations and a little bit of visualizing myself as a published author was all I really needed--because: I'm good enough, smart enough, and doggone it, people like me :).

Ok, maybe that's not all you need. It definitely helped me to have a little more confidence, but here are a few other things you need to know:

1. Start off by writing the kicker paragraph. Sit down, and in 4-5 sentences, write the core of your book. Convince me that I want to read it. Make the last sentence your hook. Something that makes them want to know more. It definitely helps if you think of this paragraph as your "movie trailor" and the words are the script for that amazing voice-over guy that makes audiences want to see every single movie.

2. Now, write the paragraph that gives us the essence of your novel. What is your novel about? And I don't mean generic summaries. What questions does it pose? What questions does it answer? What about your novel will make readers think? Hooks like this make your work stand out will make agents want to know more.

3. Here's an easy one: The product tag. Let the agent know what you need and what you have to offer. Are you seeking representation? How long is your book? What is its title? What genre do you think it fits? What audience do you think it speaks to?

4. The Credentials. This can either be really tricky, or ridiculously simple. If you've got them, flaunt them. BUT only if they're pertinent! Mention degrees if relevant, previous published pieces if existant, and industry experience, if any. If you don't have them, keep it short. Let the focus be on your book and the effort you've put into it. You don't need to state this, because it should be evident by the obvious care and effort you've put into writing your query letter.

Now get out there and find those agents! Good Luck!

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The Query Letter

Image via Wikipedia I'm happy to announce that as of July 29th, 2010 I have officially completed my first novel! Utilizing the research and guidelines I outlined on this blog, I was actually able to plan and complete writing a book that I am really proud of.Now, a new phase of this journey has begun, and I am learning the next steps right along with you.

After completing a manuscript, there are two key goals a writer should set. The first of these involves creating a Query Letter. The query letter is a key tool in the new writer's toolbox and is VERY important. Query letters are crafted and sent to potential agencies or publishers with the goal of garnering interest in your manuscript. A successful query letter will result in a positive response from either an agent or a publisher.

The route that most often leads to success for new writers is contacting an agency,or a several,finding representation in that way,and allowing them to navigate the industry on the writer's behalf. This isn't always the case, and in some instances, personal connections are more beneficial. Assuming that, like me, your literary connections are few and far between, the next series of posts will outline some of the best methods for creating query letters and submitting them to agencies.

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Focus Group Audio Example

Last week I posted a little background information about setting up focus groups and just how helpful they can be. Well, today, I thought I would go ahead and post an edited bit of audio from the focus group I conducted. I recorded the entire interview and discussion, which was really helpful to me personally, but I have provided a small sample here showing just how helpful it can be.

It was amazing to get feedback, and even more exciting to realize that someone could actually be interested in my writing. The whole process turned out to be incredibly motivating.

Feedback Via Focus Groups

Image by Nebraska Library Commission via Flickr

Aside from my own immediate family, aka my younger sister, my eyes have been the only set that have glanced at the pages of my novel thus far. As it turns out, this fact has proven to be both good and bad. For one, since it is my first book, I haven't had to deal with the dreaded negative feedback that so often compels writers to cease writing. One the other hand however, I haven't had a chance to hear any feedback at all. Not positive encouraging feedback, or even helpful hints that could make my novel better.

So, with an anxious mind and a heavy heart, I set out to remedy those issues by setting up a focus group. The concept of a focus group is a pretty simple one, and it really can be set up in a variety of ways. the route
I chose to take involved a round-table gathering of sorts with a small group of individuals I felt would be a part of my target market. The results, or the conversation, that evolved from this meeting will be posted a little later on this week, but I have to tell you it was extremely helpful. Not only did I find myself surrounded by a group of people who were actually interested in reading my book, but I also discovered several aspects of my story that needed just a little more explanation.

To organize your own focus group, here are a few possible ideas/ guidelines you could follow:

1. Choose a format.
Will you be present? Will you give them a copy of your manuscript in advance? Will you all meet formally or will your focus group involve a questionnaire given online? After you answer these questions you should be ready for number two.

2. Choose/Gather your participants.
At this point you should consider the type of individuals you will involve in your group, as well as how you will reach them. This can involve anything from calling local book clubs to flacing fliers in book stores and libraries. Your methods are up to you, but if you choose to utilize a lier as advertisement for your event, be sure to include contact information for yourself as well as the qualifications you've decided upon based on your target market.

3. Create your materials.
Next you will need to create or gather the materials you will need to conduct your focus group. If you plan to give each member a copy of your manuscript you will need to provide copies. Also, I highly reccommend a timeline or series of questions created in advance to help facilitate the event and keep it moving smoothly and efficiently. For my event, I planned to read portions of my manuscript  aloud and let the group discussion evolve from there. I also had a series of questions to ask participants on hand in case the discussion got off topic (as is very possible when dealing with younger individuals and even adults).

4. Set up meeting time.
After finding all of the indivduals that are willing and able to take part in your focus group, I suggest finding a common time that works for them all. This demonstrates the importance of maintaining a file of participants and their contact information. Incentives for participation may also be utilized if you are having trouble gathering participants.

5. Conduct your focus group (record the event).
This is the easy, and by far, most exhilarating part of the whole process. On the day and time you've chosen to meet, get right down to business. An introduction is definitely a good idea, but keep it short. Also allow for a short icebreaker at the beginning to get participants comfortable with one another. I also HIGHLY recommend that you record the event in some way. Options for recording include simply taking notes, or even using and audio or video recorder. No matter the method you choose, make sure you have the permission of your participants, and if the participants are minors, you need the permission of their parents.

6. Compile your data/ make adjustments to your work as you see fit.
After the event, give yourself a day or two to digest all that you've learned before making any changes to your work. After this buffer period has ended, examine your recordings or notes and highlight or take note of the pertinent responses and advice. Remember, even if you don't agree with someone's opinion, you should serioulsy consider what they've said. Afterall, this sampling of individuals is representing the greater population of individuals who will or won't choose to read your book.

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Hollywood's Representation of Writers

I settled down to write a few days ago, and before I started I tuned the TV to AMC . There's nothing like listening to old movies in the background to get those creative juices flowing. Anyway, during one of the commercials I was surprised to realize that the 30th anniversary of "The Shining"  is quickly approaching. In case you've been living under a rock for your entire life, "The Shining" is a movie about an author and his family who end up in the world's creepiest hotel while he works on his most recent project. Long story short, this project ends up being the one that makes him lose his marbles, and the result is an intensely creepy horror movie.

Thinking back to this movie got me thinking about all of the films I've seen or heard of that are basically outlandish representations of the lives of authors/ writers. Whether they are completely ridiculous or not, they are often incredibly interesting and something worthwhile to occupy your downtime. Here are a few clips or trailers of these movies, enjoy!

Movies I've Seen and Enjoyed:

THE SHINING



SEX AND THE CITY



ALEX AND EMMA



SECRET WINDOW



JULIE AND JULIA

Why Use Literary Agencies

A few days ago I posted some information about a few notable literary agencies  in New York, but looking back, I feel like I failed to mention the importance of utilizing them. Until now, I have been focusing on the mechanics and processes of writing a manuscript, but once it is complete, the literary venture has really only just begun. Depending on where you look, different advice is offered about the "correct" next step to take. Some sources believe direct contact with publishing companies is the way to proceed, but far more agree that finding an agent is the way to go.

While both of these suggestions are out there on the web-o-sphere, neither really gives you the concrete reasons for why you should or shouldn't seek out literary agent representation. So, to remedy this, I have compiled a few common reasons detailing how an agent can help. This list isn't designed to make you chose something either way, but it should give you an idea for what they have to offer:

1. Literary agents have normailly worked in the field for some time, and their experience can go a long way towards giving authors helpful and accurate advice.

2. If agents aren't able to provide specific advice, they will, no doubt, be able to introduce you to an indivual who can.

3. Because their job is to know about the literary field, they often are able to inform their clients of the important innovations and developments within the industry.

4. Primarily, agents act as the professional advocates for their client's work. Once accepted, they do their best to introduce the product to the publishers  and editors that will be most interested.

5. Within the same vein as number four, agents will also know with publishers and editors who are most diffiult to work with or have the least experience.

6. Monetarily, agents will compile offers from publishers and editors and bring them to their clients. This eliminates the added worry of publishing fee negotiations, allowing writers to focus on their job without the added stress of financial maneuvers.

7. Overall, the agent will be your advocate, connecting your work with the most relevant industry individuals while ensuring a timely response.

New York Literary Agencies

After finishing a manuscript, you might be wondering what your next step should be. Well, if this is your first book, your best bet is to find a Literary Agency to represent your work. Most agencies represent several authors and their work, so they are always looking for new clients. Geographically, there are several areas in the world where these agencies can be found, including: Canada, United Kingdom, and in the U.S. (nearly every state). To help you get started I have located ten potential agencies within the city of New York. By clicking on the map's markers you will open an information box that gives the agency's name, address, a link to their home page, and a few key bits of information (what they accept, methods of querying, fees, etc...). If you're not exactly sure how to go about querying, just search their websites, but for a more detailed list of do's and don't's check back here in a couple of weeks where I'll be posting a blog on Query Questions.


View New York Literary Agencies in a larger map

Four Possible Narration Methods/ Techniques

My cousin recently re-introduced me to one of my favorite childhood fiction series, The Princess Diaries by Meg Cabot. As a kid, I remember loving the fast and easy-to-read way in which they were written. Every storyline in the plot was told via Princess Mia's journal entries, online chats, emails, etc. Not only were the chapters interesting and unique, but they were just so darn relevant.

It wasn't soon after Instant Messenging programs became intensely popular in my middle school that these books came out, and it was really like reading an online correspondence from one of my friends. That aside, looking back at these books got me thinking, and I wondered, am I writing my novel from the most appealing point of view/ narration technique?

Here is a breakdown of these narration devices that should help you either decide which one to use, or re-evaluate the choice you've already made:

1. First Person Narration
(to learn more, click HERE )

This method is excellent if you want your readers to know exactly what one of your characters is thinking at all times. It normally includes "I, me, my, etc" statements and gives an in depth look at the feelings and emotions of a single character.

2. Second Person Narration

(to learn more, click HERE  )

This method is kind of crazy, and I have only read one book where it was used, and all of them were from my middle school years. This magical book was known as a "Create Your Own Adventure" book, and at the end of each chapter it would ask you a question, and send you to another chapter based on your decision. I didn't really enjoy this book (I'm a cover to cover kind of gal, no skipping around nonsense), and I can only imagine how tricky it was to create, so although it wasn't one of my favorites, I appreciate the work I know must have gone in to creating it.

3. Third Person Narration
(to learn more, click HERE  )

This method is generally used most often and occurs when the author narrates the story, describing the lives of the characters, revealing information for each throughout the book. (This is the method I chose to use, mostly because this is my first novel and its already a huge undertaking as it is. Maybe I'll get a little more creative with the next one).

4. Written Record Narration

Like the Princess Diaries books I discussed above, this form of narration is normally composed of seemingly compiled accounts from various sources. Aside from emails, online chats, etc, this can also include newspaper articles, speech transcripts, or the good old fashion snail mail correspondence.

Character Development Exercise

So it's time for another activity suggestion courtesy of me! I am constantly on the look out for projects or activities that might help me improve or encourage my writing, and I thought of one a while ago, but just got a chance to try it out this week.

The concept is pretty simple and involves taking pictures  throughout your day while jotting down a few quick notes at each location. For me, it involved taking my camera on campus  and taking pictures while I traveled to and from classes. At the end of the day I uploaded my pictures and used my notes for each one to create a mini storyline. I used the character analysis I had already done  to basically re-write my day in terms of a main character. Essentially, describe your day as though a character of yours lived it instead of you.

To Recap:
1. Take pictures throughout the day.
2. Jot down notes  of what you were doing, thinking, etc. at that point.
3. Upload pictures and review your notes
4. Last, and probably most fun, re-write your day as though one of your characters lived it instead.

Good luck, and I really hope you give it a try because it was actually fun!

(I took all of these photos today, and the captions included are the portions of text from my re-write. Because I couldn't fit much else into the captions, here are a couple things you should know:
-The only building photographed is University Hall on BGSU's campus.
-The rest of the images were taken in my apartment building and the local cemetary, which happens to be right in the middle of campus.)

That being said, here's my day as if it were lived by Brina Claramund, my main character:



Having trouble seeing the full captions? The click HERE .

How To Show Instead of Tell

I haven't had much time lately for leisurely reading, but over the weekend I picked up my copy of  F. Scott Fitzgerald's The Great Gatsby and was reminded just how powerful good descriptive writing can be. Absolutely nothing Fitzgerald writes about is a prop or remains motionless. Every door creaks, light glows, windows harbor loitering individuals, etc. Reading his words makes you feel as though you are walking through the streets of New York alongside his narrator .

Keys to impressively descriptive writing like Fitzgerald's include, aside from practice, imagining yourself as a part of what is happening. If you were there, how would it unfold, by using this technique while writing down each and every step of the action you can create an environment that pulls your readers in. Also, something I've already discussed , use your characters wisely. Don't merely tell us what or how they are manuevering in your world, use detailed descriptions as well as the actions of your characters so show us.

The best way to achieve successful and immersive description is to utilize the five senses. The human brain  is incredibly complex, and something as simple as a mention of a particular scent can bring to mind a flurry of memories, sensations, feelings, and emotional reactions. This sense-memory  is only one example, and to reach your readers you should employ similar methods. So describe a scene based on the sights as well as the smells, sounds, and even tastes it encompasses.

Below is the example from The Great Gatsby that exemplifies descriptive writing at its best.So, read, enjoy, and feel free to share your favorite descriptive paragraphs.

I began to like New York, the racy, adventurous feel of it at night and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I like to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others--poor young clerks who loitered in front of windows waiting until it was time for the solitary restaurant dinner-- young clerks in the dusk, wasting the most poignant moments of night and life.


Again at eight o’clock, when the dark lanes of the Forties were five deep with throbbing taxi cabs, bound for the theatre district, I felt a sinking in my heart. Forms leaned together in the taxis as they waited, and voices sang, and there was laughter from unheard jokes, and lighted cigarettes outlined unintelligible gestures inside. Imagining that I, too, was hurrying toward gaiety and sharing their intimate excitement, I wished them well.

Voice Recognition Dictation Software: Changing the Way People Think About Writing

I spent six hours yesterday talking to my computer, and no, there weren’t any humans on the other end of the conversation. It was just me, myself, and the silver box of wires and chips otherwise known as my laptop. For hours. You see, I was trying something new that had been suggested to me by an eager freshman majoring in Creative Writing. She swore it would change the way I thought about writing, and in a way she was right. When she suggested that I try out voice recognition dictation software  she, no doubt, thought I would love it as much as she does. Sadly, she was mistaken. My experience with dictation software did, in fact, change the way I think about writing, but not in the way she imagined.

Digital dictation software  can be purchased almost anywhere, and several trial offers   are also available online for most brands . After installation, the concept of using it is simple enough. Opening the program accesses a microphone and opens a text editing program similar to Word on your computer screen. After that, it’s as easy as having a conversation with a friend, or so most dictation software marketing departments would have you think.

In reality, however, the technology is just not there yet.

“Years ago I tried dictating short stories and then transcribing them and they just failed,” said Wendell Mayo , acclaimed short-story author and current professor of fiction writing at Bowling Green State University.

Most writers who have found this type of software to be less then helpful point to one of two reasons. The first of these involves the extraordinary amount of time they require.

“It seems that [dictation software] might be useful for many fields, but not necessarily the writing of novels. Speed in composition is not the primary value,” said Lawrence Coates , Associate Chair and Graduate Coordinator for Bowling Green State University’s Department of English.

When authors attempt to utilize this particular type of software, they often become bogged down by technological errors and misunderstandings. The time it takes to rectify these errors can interrupt the creative process of even the most experienced writers, and while the errors can be small and seemingly insignificant, the vast number of times the user is required to stop and fix said errors waste valuable time while interrupting the flow of thoughts.

“I can type as fast as I think, and I like seeing the shape of words on the page,” adds Coates.

This time consuming element is only compounded by the second reason cited most for writer’s avoidance of digital speech recognition devices, and it involves the common desire, so eloquently described by Coates, to see the shape of words as they appear alongside thought.

It is the desire to see these words appear on the page as they are thought of that makes dictation devices so difficult to use for most writers. For example, with the personal experience I mentioned yesterday; time consuming corrections really set my progress back. The first sentence I dictated to the computer was supposed to be, “As she approached and tapped the obviously forlorn gentlemen on the shoulder, she was startled that he turned to look in her eyes,” but the computer felt compelled to report that, “She a sheet acts that the league and tapped the piously forlorn gentlemen on thrush older, she was startled that he turned tulip in her eyes.” By the time I deciphered all of that, I had completely lost my train of thought.

No matter the reason, whether it is hesitance to avoid dictation due to time constraints or a passion for the familiar, one thing is generally true, and is best summed up by Mayo,

“I have a unique relationship to paper and pen that is just part of my process.”

###

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Tools to Combat Writer's Block

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Whether you've just started writing or have been writing for years, writer's block is an affliction that very few writers are immune to. It creeps up when you least expect it, and not even the best planning can prevent it. You might know exactly where you want your character to end up, but at some point between their start and achieving those goals, you may find yourself stumped.

There are several remedies available to sufferers of writer's block if you take the time to dig around, but here is a compilation of a few of the most common cures that are thought to be most helpful:

1. When in doubt, take the last portion you have written and try writing it from a new perspective. Sometimes changing the narrator, point of view, time, or setting can be just enough to create a spark that will get your writing back on track.

2. Make a change in your own scenery. Step away from the computer screen and pick up a notebook and pen or go to a local library or park to write.

3. Take a movie break. This is one of my personal favorites and whenever I just can't seem to figure out where my story should go next I pop in a DVD and get lost in someone else's story. Most of the time I try to pick a movie that is completely different from what I am working on, but no matter what movie, there is something inspiring and rejuvenating about watching a story through from start to finish.

4. Write something else. Finish an entry in your journal or write an email, just keep writing until you get back into the flow of things.

5. Take a walk or do some exercise. Set your work aside and take a stroll to clear your mind or think about your story without trying too hard. Sometimes the writer's instict is to overreact after hitting a wall and just like any other muscle, overworking the brain can cause a sprain or set you back even further (ok that might not be medically accurate, but trying to hard to move forward can induce a certain amount of panic that is definitely not productive.)

6. Story web. Take the central event from the last portion you've written and create a diagram, or web, based on all the paths your story could take.

7. Work out of order. Not all writing must be written in the order that it occurs. If you reach a barrier in the middle of a chapter set it aside for a while and move on to the next or the ending. As long as you're writing you're being productive.

8. Last but not least, you can always jump on the Pavlovian/ Skinner bandwagon and motivate yourself with a reward system.

Disambiguation: A novel-writing roadmap

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You've probably already guessed this based on the topic of my blog, but I thought you all should know that I am unquestionably and irreversably addicted to words. I love to find new and interesting words in the books or websites I read, I own more than one word-a-day calendar, and once I discover them, I use new words. A lot.

Now, you might be asking yourselves, what does your word-addiction have to do with anything novel-writing-related, Jacey? The answer is simple: Disambiguation.

It's day four of my Spring Break, also known as the "You're not in a tropical vacation destination, there's snow outside, you're home alone, you might as well be productive" Day. So here I sit at the kitchen counter wondering where to start, and because staring at my computer screen and rocking out to Kevin Hammond aren't getting me anywhere, I decide to take a look at the deadlines I drew up at the start of my project.  Now after a somewhat discombobulated introduction we are finally arriving at the point of this post: The deadlines I set for myself so many months ago are looking...well, let's just say I must have had myself confused with Wonder Woman when I wrote them. According to my little timeline I am two weeks and four chapters behind schedule, not to mention the ten other tasks I am supposed to have done before break is over. A little discouraging, no?

Well after the initial mental headslap, I decided my situation isn't all that bad. Even though I'm not exactly on schedule, I have continuously made progress, no matter how little, since the day I started the project. I still have a functional list of what needs to be done (even though the dates are now a little off). This little timeline descrepency has given me a reason to sit back, re-evaluate my progress, and create a new (and hopefully more accurate) time-table.

Ultimately, that last one turned out to be really helpful. This morning I was at a loss for what to do, where to go, how to move forward, etc... Now, just three short hours later I have a new calendar and a renewed excitement. These new goals I have set are actually realistic, which is definitely an upper, and even with adding a little more time for each task I am still pretty good as far as total time goes.

Anyway, the lesson I learned today and wanted to share isn't really complex, but I think it could be helpful:

1.  Deadlines are sneaky little devils. I set goals for myself several months ago before I had even started writing, and more importantly, even before I had considered that my life would involve other objectives besides writing. I didn't think to consider that I might get smacked in the face with the flu the week before midterms, let-alone acknowledge that I might need to study for those pesky exams. So somewhere between preparing for advising meetings and getting the oil changed in my car those sneaky little deadlines slipped away.

2. Because of my tendency to overestimate my own capabilities I learned a little something about the nature of deadlines. If there aren't consequences for not meeting them, they lose a little of their luster. To combat this, I have decided to look at my "deadlines" as more of a "disambiguation chart," hence the little intro to word-addiction at the beginning of the post. Disambiguation basically means to remove ambiguities, and my calendar of tasks will help me to navigate the rest of my project in the same way that a road-map would help to disambiguate a tricky roadtrip.

Overall, I will really try to stick to the new deadlines I have set for myself but, like before, if I should happen to fail, at least it provides a record of what needs to be done so I am never permanently discouraged.

Where to Write??

Now that I'm officially back to writing fresh material I thought it would be fun to look at productive places to write. Some writers are very constrained and require an upright chair and desk to really get to work, but I am completely opposite. I rarely write in the same place from day to day and I am more likely to be found laying on the floor or sitting in my bed than at any desk.

Author Justin Cartwright emphasizes the importance of separating work from home so he has turned a hallway of his home into a "writing room." Michael Murpurgo was more like me and after much experimenting he discovered he was much more comfortable and wrote some of his best work sitting in a bed, but his wife was irritated at the invasion of space, so they made a separate "bed-writing room" in their home for him to work. Other authors take their work on the go. Simon Callow writes whereever he may find himself, including dressing rooms at performances or locations where he is filming.

Yesterday was my day off, so I set my camera to "continuous" and documented how my day of writing evolved:

The Narrative Hook

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Lately I have been having trouble finding time and energy to come up with new material for my novel, and the last chapter I wrote took me almost twice as long to finish as all of my other chapters. Finishing this particular chapter was a little bit of a milestone for my project and marked reaching the half-way point. So, to celebrate my hard work I decided to take a little break. Now I didn't want to stop the project completely because it really is something I enjoy, but I did want to take a break so I could come back with fresh ideas for the second half. In order to keep up with my progress and also take a refreshing break I decided to go back to my first chapter and really think about my book's opening.

I haven't really looked back at it since I wrote wrote it  a while back, and re-reading those first few paragraphs over again really made me think about just how important they are. The first chapter, or sentence even, is what draws the reader in. It makes them interested in your book and, essentially, keeps them reading through to the end.

Think back to all of your favorite opening lines. Here are some of mine:

1. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
2. Happy families are all alike; every unhappy family is unhappy in its own way.
3. It was a bright cold day in April, and the clocks were striking thirteen.
4. If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.
5. It was a pleasure to burn.
6. It was love at first sight.
7. In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.

All of these lines had some sort of narrative hook or method of drawing the reader in. Narrative hooks are the author's pick-up lines, and cheesy cliche's aren't going to get you the phone number. Whether it was Jane Austen's blunt honesty that made you want to read on to find out why she believed as she did or a simple teaser making you wonder just what advice F. Scott Fitzgerald's character got from his father, you wanted to read on, to find the answers you were looking for.

After reading my opener again I realized just how much work it needed. A strong opening can make for a strong novel, and my first sentence just wasn't cutting it. So I looked again at my favorite book openers and went back to the drawing board. I guess the lesson I learned, and want to share, is simple. Don't be afraid to make changes, but most of all, don't forget to objectively examine your work to discover when changes need to be made.

Character Personalities

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Last semester I was enrolled in probably the hardest class of my college career: Marketing 300. While the concepts of marketing are interesting, the way it was presented in this course was only slightly more interesting than doing laundry, and this, paired with the fact that the professor was an incurable braggart made the class nearly impossible.

That being said, there was one single part of the class that actually turned out to be very helpful. One assignment for the course was to take the online VALS survey to discover our marketing personality (of which there are four according to the survey) and in doing this I discovered a truly helpful way to test the characters I was creating. By taking the survey and answering the questions the way I thought my characters would I found a concrete way of making sure my characters remained consistent throughout. The survey results would also give me an interesting character summary to stick to.

So try it out some time! Take one of your characters, go to http://www.strategicbusinessinsights.com/vals/surveynew.shtml, fill out the survey based on the character analysis you've already done, and see what you come up with.

Inspirational Rules for Writing Courtesy of P.D. James

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P.D. James, award winning novelist and author of several books including The Children of Men and Innocent Blood, has compiled a list of her five "Rules for Writing," and while there are MANY of these lists out there, I found hers to be incredibly inspirational. So take them in, embrace them, or even disreguard them and create a list of your own, but appreciate the fact that there are always ways for you to grow as a writer should you take the time to do so!

1. Increase your word power. Words are the raw material of our craft. The greater your vocabulary the more ­effective your writing. We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.

2. Read widely and with discrimination. Bad writing is contagious.

3. Don't just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style.

4. Write what you need to write, not what is currently popular or what you think will sell.

5 Open your mind to new experiences, particularly to the study of other ­people. Nothing that happens to a writer – however happy, however tragic – is ever wasted.

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Idea? Check. Characters? Check. World? Check. Story?

After much work, planning, and brainstorming you’re finally ready to write your novel, right? The answer: almost. Some experienced writers say that some of their best work is the result of impulse writing or drafting without plans and allowing the characters to end up where they may. While this is definitely an admirable method of crafting a novel, for us first-timers it might prove to be a little trickier than that. Without a plan, writer’s block can set in pretty thoroughly, and for a first-time author it can be the barrier that keeps you from finishing your manuscript.

To combat what I like to call the “15,000 Word Wall,” or the point at which I had my first writing crisis: Chapter 4, Page 1, word 15,032, I suggest you at least create for yourself a brief outline based on the chapters you want to write, how long they should be, and the major plot-points  you want them to contain. You don’t have to stick to this, but it is definitely helpful to have something to go back to when you just don’t know what to say next.

A few outline basics are:

1. Number of Chapters.
This can really become a useful list of goals as you attempt to finish your novel, and telling yourself that you want to write at least 10 chapters acts as an excellent motivator.

2. Key moments.
Designating a few key moments  to happen in each of you chapters as well as making a list of back-up of events for moments of writer’s block is also a great idea.

3. Character Arcs .
You know where you want your story to end and where you characters will be when that end is reached, but you should be careful that you don’t lose some of your characters along the way just to have them reappear at their designated ending when your novel concludes. To achieve this, jot down individual storylines for each character. You should avoid introducing flat characters just to move your main character along. If they’re present, give them purpose and guidance, let them be a part of the story as it evolves.

With all of this mapped out, you really won’t ever feel lost as to what your next move should be, and avoiding that discouragement can go a long way towards seeing your novel through to the end! You should be excited about unveiling each key moment every time you sit down to write and deciding in advance what these moments will be and when they will occur can only help your progress along.