Showing posts with label Manuscript. Show all posts
Showing posts with label Manuscript. Show all posts

Monday, October 25, 2010

The Partial

Ok. Now that you've created for yourself a nice complete database of agents/ agencies to query, created an awesome query letter, and sent out a few queries, you're probably what comes next.

Like you, I was also wondering what type of feedback I should be hoping for after sending out queries. Should I log on to my email every five minutes or cling to my phone as though it were my lifeline? Where and how would these agencies contact me after reading my query letter?

The answer to these questions is pretty simple.If you've done your job right an agent's first response to your query letter will be a request for sample chapters. This type of request is called "a partial" and, although it is good news, don't get overly excited. A request for a partial manuscript, which can come via phone or email, is not an offer of representation.

Should you get a request for sample chapters, you need to make sure you have the accurate amount, properly formatted. Most likely, the agent will request the first three chapters or the first fifty pages. If the request is for a specific number of pages, it is perfectly fine to go over a FEW pages in order to make the partial end at the end of a chapter. Most agents would rather you go over a few pages than leave them hanging with an incomplete chapter.

Your manuscript's font should be Times New Roman, size 12, and page numbers should be located in the upper right corner with your last name and manuscript title in the upper left.

You should also include a title page with your name, address, phone number, and email address in the upper lef-hand corner. Centered, about one third of the way down the page you should include the title of your manuscript in all caps and two spaces below that, include "BY" in all caps and YOUR NAME in all caps two spaces below that. Check out the sample to the left if you have any questions.

Now that your partial is formatted, go ahead and send it off. This can be either via email or snail mail, but either way, you need to include a cover letter that tells the agent that you have enclosed a requested partial manuscript. Include REQUESTED MATERIALS in the subject or write it on the envelope.

Now just sit back and wait it out! Good Luck!

Sunday, October 3, 2010

Conquering the Query Letter Beast

So, I introduced the concept of the Query Letter in my last post, and since then I have been attempting to research and create my own. Let me tell you though, writing this one-page letter was harder than writing the entire book.

The purpose of the Query Letter is to persuade an agent that taking you (and your book) on as a client is a FANTASTIC decision, and I'm not sure why, but this just seemed to put a lot of pressure on what amounted to four 4-5 sentence paragraphs. So, was it intimidating? Absolutely. Is it impossible? Absolutely NOT.

Everything seemed to come together after I told myself I could do it. A few positive affirmations and a little bit of visualizing myself as a published author was all I really needed--because: I'm good enough, smart enough, and doggone it, people like me :).

Ok, maybe that's not all you need. It definitely helped me to have a little more confidence, but here are a few other things you need to know:

1. Start off by writing the kicker paragraph. Sit down, and in 4-5 sentences, write the core of your book. Convince me that I want to read it. Make the last sentence your hook. Something that makes them want to know more. It definitely helps if you think of this paragraph as your "movie trailor" and the words are the script for that amazing voice-over guy that makes audiences want to see every single movie.

2. Now, write the paragraph that gives us the essence of your novel. What is your novel about? And I don't mean generic summaries. What questions does it pose? What questions does it answer? What about your novel will make readers think? Hooks like this make your work stand out will make agents want to know more.

3. Here's an easy one: The product tag. Let the agent know what you need and what you have to offer. Are you seeking representation? How long is your book? What is its title? What genre do you think it fits? What audience do you think it speaks to?

4. The Credentials. This can either be really tricky, or ridiculously simple. If you've got them, flaunt them. BUT only if they're pertinent! Mention degrees if relevant, previous published pieces if existant, and industry experience, if any. If you don't have them, keep it short. Let the focus be on your book and the effort you've put into it. You don't need to state this, because it should be evident by the obvious care and effort you've put into writing your query letter.

Now get out there and find those agents! Good Luck!

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Thursday, April 22, 2010

Feedback Via Focus Groups

Broadwater Focus GroupImage by Nebraska Library Commission via Flickr
Aside from my own immediate family, aka my younger sister, my eyes have been the only set that have glanced at the pages of my novel thus far. As it turns out, this fact has proven to be both good and bad. For one, since it is my first book, I haven't had to deal with the dreaded negative feedback that so often compels writers to cease writing. One the other hand however, I haven't had a chance to hear any feedback at all. Not positive encouraging feedback, or even helpful hints that could make my novel better.

So, with an anxious mind and a heavy heart, I set out to remedy those issues by setting up a focus group. The concept of a focus group is a pretty simple one, and it really can be set up in a variety of ways. the route
I chose to take involved a round-table gathering of sorts with a small group of individuals I felt would be a part of my target market. The results, or the conversation, that evolved from this meeting will be posted a little later on this week, but I have to tell you it was extremely helpful. Not only did I find myself surrounded by a group of people who were actually interested in reading my book, but I also discovered several aspects of my story that needed just a little more explanation.

To organize your own focus group, here are a few possible ideas/ guidelines you could follow:

1. Choose a format.
Will you be present? Will you give them a copy of your manuscript in advance? Will you all meet formally or will your focus group involve a questionnaire given online? After you answer these questions you should be ready for number two.

2. Choose/Gather your participants.
At this point you should consider the type of individuals you will involve in your group, as well as how you will reach them. This can involve anything from calling local book clubs to flacing fliers in book stores and libraries. Your methods are up to you, but if you choose to utilize a lier as advertisement for your event, be sure to include contact information for yourself as well as the qualifications you've decided upon based on your target market.

3. Create your materials.
Next you will need to create or gather the materials you will need to conduct your focus group. If you plan to give each member a copy of your manuscript you will need to provide copies. Also, I highly reccommend a timeline or series of questions created in advance to help facilitate the event and keep it moving smoothly and efficiently. For my event, I planned to read portions of my manuscript  aloud and let the group discussion evolve from there. I also had a series of questions to ask participants on hand in case the discussion got off topic (as is very possible when dealing with younger individuals and even adults).

4. Set up meeting time.
After finding all of the indivduals that are willing and able to take part in your focus group, I suggest finding a common time that works for them all. This demonstrates the importance of maintaining a file of participants and their contact information. Incentives for participation may also be utilized if you are having trouble gathering participants.

5. Conduct your focus group (record the event).
This is the easy, and by far, most exhilarating part of the whole process. On the day and time you've chosen to meet, get right down to business. An introduction is definitely a good idea, but keep it short. Also allow for a short icebreaker at the beginning to get participants comfortable with one another. I also HIGHLY recommend that you record the event in some way. Options for recording include simply taking notes, or even using and audio or video recorder. No matter the method you choose, make sure you have the permission of your participants, and if the participants are minors, you need the permission of their parents.

6. Compile your data/ make adjustments to your work as you see fit.
After the event, give yourself a day or two to digest all that you've learned before making any changes to your work. After this buffer period has ended, examine your recordings or notes and highlight or take note of the pertinent responses and advice. Remember, even if you don't agree with someone's opinion, you should serioulsy consider what they've said. Afterall, this sampling of individuals is representing the greater population of individuals who will or won't choose to read your book.


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Tuesday, April 13, 2010

Why Use Literary Agencies

A few days ago I posted some information about a few notable literary agencies  in New York, but looking back, I feel like I failed to mention the importance of utilizing them. Until now, I have been focusing on the mechanics and processes of writing a manuscript, but once it is complete, the literary venture has really only just begun. Depending on where you look, different advice is offered about the "correct" next step to take. Some sources believe direct contact with publishing companies is the way to proceed, but far more agree that finding an agent is the way to go.

While both of these suggestions are out there on the web-o-sphere, neither really gives you the concrete reasons for why you should or shouldn't seek out literary agent representation. So, to remedy this, I have compiled a few common reasons detailing how an agent can help. This list isn't designed to make you chose something either way, but it should give you an idea for what they have to offer:

1. Literary agents have normailly worked in the field for some time, and their experience can go a long way towards giving authors helpful and accurate advice.

2. If agents aren't able to provide specific advice, they will, no doubt, be able to introduce you to an indivual who can.

3. Because their job is to know about the literary field, they often are able to inform their clients of the important innovations and developments within the industry.

4. Primarily, agents act as the professional advocates for their client's work. Once accepted, they do their best to introduce the product to the publishers  and editors that will be most interested.

5. Within the same vein as number four, agents will also know with publishers and editors who are most diffiult to work with or have the least experience.

6. Monetarily, agents will compile offers from publishers and editors and bring them to their clients. This eliminates the added worry of publishing fee negotiations, allowing writers to focus on their job without the added stress of financial maneuvers.

7. Overall, the agent will be your advocate, connecting your work with the most relevant industry individuals while ensuring a timely response.

Thursday, April 8, 2010

New York Literary Agencies

After finishing a manuscript, you might be wondering what your next step should be. Well, if this is your first book, your best bet is to find a Literary Agency to represent your work. Most agencies represent several authors and their work, so they are always looking for new clients. Geographically, there are several areas in the world where these agencies can be found, including: Canada, United Kingdom, and in the U.S. (nearly every state). To help you get started I have located ten potential agencies within the city of New York. By clicking on the map's markers you will open an information box that gives the agency's name, address, a link to their home page, and a few key bits of information (what they accept, methods of querying, fees, etc...). If you're not exactly sure how to go about querying, just search their websites, but for a more detailed list of do's and don't's check back here in a couple of weeks where I'll be posting a blog on Query Questions.


View New York Literary Agencies in a larger map
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